While journeys to extraordinary places are the cornerstone of luxury travel, this project follows more well-concealed journeys taking place across global supply chains. It retraces rare-earth elements, which are widely used in high end electronics and green technologies, to their origins.
The 4K film, developed together with Unknown Fields, documents their voyage from container ships and ports, wholesalers and factories, back to the banks of a barely-liquid radioactive lake in Inner Mongolia, where the refining process takes place. In a further collaboration with ceramicist Kevin Callaghan, mud from this lake is used to craft a set of three ming vases.
Each is sized in relation to the amount of waste created in the production of three items of technology – a smartphone, a featherweight laptop and the cell of a smart car battery. The resulting film and 3 vases will be on display at the V & A from the 25th of April within the exhibition, What is Luxury?
The Guardian Environment desk have exclusively published the full 7 minute film and an extended image gallery which also incorporates images of the highly restricted Bayan Obo rare earth mine and processing which was shot on editorial assignment in 2010.
A press pack detailing the exhibition, selected images and the 4K trailer are available by reply.
UCCRI works across the University of Cambridge to promote collaborative research on biodiversity conservation and its impacts. I am absolutely delighted that the Institute has been awarded a Leverhulme Trust “artist in residence grant” which will enable me to collaborate with them for an academic year and further steer my work towards sustainability and environmental stories.
I’m hoping to bring a new creative, editorial and visual dimension to their research and in return gain the time and resources to incorporate a further level of science and academic rigour into photography, video, exhibition and editorial projects.
In February, the Guardian Weekend Magazine printed a 7 page feature incorporating pictures from Geosynchronous with a new essay by acclaimed author Andrew Smith. They also debuted 5 of the 7 multimedia chapters produced in collaboration with SES and Universal Assembly Unit.
Spanning 3 years and 5 continents the videos illustrate the entire spectrum of the satellite industry by combining traditional video, time-lapse and critically a wealth of scientific and editorial information presented as motion tracked overlays, 3D graphics and animations.
“90 minutes of the South China Sea in 4K” went ballistic on Youtube, attracting over 70K hits in a month. This inspired me to test a 4K workflow to the absolute limit and after months of processing, trial, upload and error (repeat, tweak, repeat, tweak, repeat x 12) I have finally released what I think is the world’s longest continuous 4K video online and it is beautiful..
This 6 hour slow-tv feature is shot in stunning 4K resolution and presented without a single dropped frame or interruption to either image or sound. The journey begins in the quiet rural North of Bangladesh, with the sunrise streaming through vegetation and reflecting off paddy fields. After 5 hours the landscape begins to close in on the trackside revealing many of the development issues that face this rapidly growing and urbanising country. Thanks to Compost Creative for helping ensure all 541,125 frames are sharp, seamless and flawless!
In February, Getty Images Reportage and I partnered with the DECC to begin visualising areas where Climate Change is actively affecting daily life in Britain and after collaborative research we focussed on Coastal Erosion and Food Security. Practically, this meant some late nights on the East Coast looking at the accelerated erosion from storm surges. This was followed by early mornings at the wholesale markets of London, including Billingsgate and New Covent Garden.
This a project I aspire to continue and broaden through 2015 and indeed mix into my research at Cambridge and opportunities to publish editorially. It also runs parallel with the concept of fossil fuel divestment which I have been following and indeed recording debates of personally at UCCRI.
I’ve been sending out newsletters for almost 5 years; posting photography, highlighting projects, giving thanks and sharing finished projects of my professional life. However, as noticed by my new Grandmother in Law, I have been neglecting to post news about the most important people, journeys and news in my personal life. I agree with Mary, so as a tardy correction…
On May 10th 2014, I married Alexa and surrounded by family and friends, despite the rain, we celebrated the best day of our lives. We now live in Clapton, London with our dog Mr. Jiggins.
As always, don’t hesitate to get in touch with comments, information, introductions, feedback or indeed just to say hello. Follow me on twitter for updates and (mostly) relevant re-tweets.
All images/video copyright protected and credited to Toby Smith, except the wedding photography by Claire Pepper.